Playlist for the Breakfast of Champions October 25, 2007 on WMBR Cambridge.
(8:00am - the theme of the first hour ... stuff I've wanted to play for awhile but haven't had the opportunity to do so until now)
Sibylle Baier - "Tonight"
Textile Ranch - "Boys Climbing Skull"
Montt Mardié - "Highschool Drama"
Another Sunny Day - "The Centre Of My Little World"
(8:15am - which means texturally this may be a bit all over the place)
Working For A Nuclear Free City - "So"
The Apartments - "The Failure Of Love Is A Brick Wall"
David Mead - "Fighting For Your Life"
Williamson - "Time You'll Never Get Back" (background music)
(8:30am - break for the band of the week)
Holiday - "Obviously Love"
Holiday - "It's Wrong To Love"
Holiday - "Your Very Last Party"
(8:45am - pick it up)
Close Lobsters - "Sewer Pipe Dream"
The Wolfhounds - "Son Of Nothing"
The Servants - "Afterglow"
Always - "Window Without A View"
The Bitter Springs - "Die In A Spy Ring"
(9:00am - let's take a look at the new music)
Saturday Looks Good To Me - "Edison Girls"
Tullycraft - "Bored To Hear Your Heart Still Breaks"
Underworld - "Beautiful Burnout" (concert report music)
(9:20am - post concert report music)
Citay - "On The Wings"
Anna Ternheim - "Today Is A Good Day"
Club 8 - "When I Come Around"
Loney, Dear - "Le Fever"
(9:40am - let's find a steady beat and hit it)
Dri - "You Know I Tried"
Euros Childs - "Horse Riding"
Sunset Rubdown - "The Taming Of The Hands That Came Back To Life"
(9:55am - close out the chaos)
My Own Worst Enemy - "Used To Be A Fighter"
This program is archived on WMBR's website for two weeks after initial airing.
Thursday, October 25, 2007
Friday, October 19, 2007
For those of you who kindly allocate part of your charitable giving to WMBR, the fundraiser is coming up quickly. BoC Thursday is part of the kickoff day November 1st so make sure to mark your calendars!
As always I'll be creating my "favorites of 2007" compilation for everyone who pledges during the show or selects Breakfast of Champions Thursday using the online form. Disc 1 has already been created in fact, and Disc 2 should be completed this weekend. How many of my favorites will coorelate with yours? At this point in time all you can do is speculate ...
As always I'll be creating my "favorites of 2007" compilation for everyone who pledges during the show or selects Breakfast of Champions Thursday using the online form. Disc 1 has already been created in fact, and Disc 2 should be completed this weekend. How many of my favorites will coorelate with yours? At this point in time all you can do is speculate ...
Saturday, October 13, 2007
With the flip of the calendar into October I'm shocked that the record companies have basically turned off the spigot of new releases. This is a fantastic opportunity to sweep in an catch the attention of our now oversaturated ears after the September onslaught, but very few are taking avantage of the space.
She Wants Revenge - "She Will Always Be A Broken Girl"
They've improved on their sophomore release, even if it's only from embarrasing sub-Interpol knockoffs to passable Depeche Mode homages. Put it in the guilty pleasure column, the lyrics shallowly crave connections with depressed teens but hit the requirements set forth by "Blasphemous Rumours" so a passing grade will be assigned. Played a different song 10/11/07, because I have a friend in Joanie.
Tarentel - "Mirrors, Gardens"
As far as I can tell it's a CD release of a vinyl-only offering from a few years ago. Concert report music on 10/4/07. Lively experimental opuses mixed in with noise, the type that needs severe studio tweaking to accomplish and illegal stimulus aids to appreciate. Though truthfully I enjoyed it without any help, the compositions are impressive in their friendly unpredictability.
Susanna Wallumrød - "Born In The Desert"
Susanna steps away from the Magic Orchestra for a solo release that actually has much more clarity than the previous release. Her voice is upfront and the instruments distinct, instead of the previous wash of sonorous wallpaper. No change in the pace, it is still glacial but nowhere near as ominous. Played this during the A Distorted Reality fill-in on 10/10/07.
Robert Wyatt - "Just As You Are"
A new song cycle in three parts from Robert that expands from the personal to the political, I plucked this one from the early third. A duet of sorts as female vocal companion Monica Vasconcelos handles the first part of the tune with Robert's fragile vocals embellishing the second part. There's a litany of musical all-stars on this disc, from Paul Weller to Brian Eno to Phil Manzanera. None of them overwhelm the songs, which shamble along as an invitation to prospective listeners who enjoy layers of detail. Played on 10/11/07.
PJ Harvey -"Grow Grow Grow"
This is Polly's most sedate album since Is This Desire, and truthfully if her name wasn't on the cover it could be passed off as someone else's work. This one doesn't rely on much musical punch, favoring arrangements with an ebb and flow to their slow pace while Polly's seemingly disguised voice (has she ever floated this high in the register?) gasps across the expansive landscape. It's a change, can't say it's a favorable one though.
Picastro - "Car Sleep"
Toronto area combo farm similar land as Shannon Wright, with deep female vocals across loose arrangements placing drums forward and guitars in back, with strings adding the flavor. The songs often feel as if they are frayed at the edges, close to unraveling their structure yet somehow reaching a conclusion. This is one of the tighter efforts at a tidy 2+ minutes, played during that 10/10/07 fill-in.
Doveman - "Sunrise"
We're seemingly stuck in an introspective corner of our musical pallette, as this is another barely-there construction of strummed guitars and hushed vocals (male this time) with a few drums and horns punctuating the mix occasionally. Spun on 10/11/07. There are a mix of instrumental interludes between many of the songs to slow down the proceedings even more, so don't even attempt to scale this mountain unless the first sentence sounds remotely appetizing.
Chuck Prophet - "Would You Love Me"
Atmospheric country rock by former Green on Red member, released on Yep Roc. At times it reminds me of Lee Hazlewood in both his (lack of traditional) vocal prowess and ability to craft a setting and characters in song. Nice mix of guitars providing the backing with some other interesting elements such as choral backing vocals (perhaps sampled?) and harmonica. Spun during the 10/10/07 fill-in.
Richard Hawley - "Roll River Roll"
His last record in 2005 was my pick for the year, so it's correct to assume this new one was highly anticipated in my household. When early reviews dismissed it as 'more of the same' I was a bit puzzled, as that was certain my hope. And indeed the formula of smoothly deep Scott Walkerish vocals and sumptuous 60's style balladry is still well in play. However, this release doesn't wrap the listener into a velvet-encrusted version of time and place as his last one did, instead just efficiently aping his heroes. Still worthy of purchase and repeat listens, but I just can't smell the cigar smoke and taste the scotch on this release like I did with the previous one. Played on 10/4/07.
Ice Palace - "She Holds Hands"
This one pulls quite obviously from The National's playbook, with its simple guitar structure, gruff vocals and repeated chorus that adds a few more elements to the mix. It paints an inconclusive picture of the title character, providing just enough information to make you ask "what was that about again?" Musically it doesn't quite build that punch The National have and the faster songs struggle to find some musical character. But this particular selection was worthy of spinning of 10/4/07.
Phosphorescent - "The Waves At Night"
An on-the-border selection which made it to the airwaves 10/11/07. Contains the loping funeral gait of a mid-period Low song with vocals that drawl out every syllable in some sort of haunted chorus. Effective in its intentions though a whole album of this style can be tough to cut.
Band of Horses - "No One's Gonna Love You"
While airing this on 10/4/07 I was both repulsed and enthralled with it's accurate 1975 vibe. The flute-like keyboards really sell it, as well as the unabashedly positive romantic message that blots out any possibility of relationship failure. Of course this is a new century so post-chorus the negative elements do emerge (creepy stalker alert perhaps?). Should have been a top 10 hit 30+ years ago and a school slow dance staple.
Carol Bui - "Rockville"
A historical memory combined with a character study about a neighbor's Luka-like existence steps just over the earnest line. There's enough in this Come-like negative rocker to win my admiration but probably not enough to actually spin it OTA.
Sunset Rubdown - "Winger/Wicked Things"
Swan Lake still remains the pinnacle of Spencer Krug's musical output to my ears, while Frog Eyes is the nadir. That leaves this somewhere in the middle, with much more cohesive structure than his main band but nowhere near the emotional impact of the Dan Bejar pairing in the side project. The songs march along in a Flaming Lips alternate universive of keyboard cacophony and awkward vocal skills punctuated by occasional guitar solos. The calliope is burning down and this is the band playing in the background.
Bad Dream Fancy Dress - "Curry Crazy"
Nabbed this one from a disc Mark Robinson donated to the station during a music purge. Female duo with indiepop icon Simon Fisher Turner providing the backing, which has that energetic barely-together feel of garage indiepop of the era. Competency seems to be the main sticking point as the female leads are fairly incapable of adding a convincing vocal presence, yet do so through their naive efforts.
The Big Lie - "I'm Going To Ruin Her"
If you still miss the earnest power-pop vibes of early 90's Jellyfish here's an accurate reproduction for you, Canadian style. Has those drippy Zander-esque vocals with the Queen style backing in the chorus and vague psych-pop touches to an otherwise straight ahead rock effort complete with overt guitar solo. Played on 10/4/07.
The Resonars - "Places You Have Been"
The arrival of a new Resonars record is always reason for rejoicing, as they do the most accurate knock-off of Move & Byrds style 60's rock available today. This one doesn't disappont, as the sound regresses quite nicely back to their pinnacle release Bright And Dark with harmony backing vocals, strong drumming (oh those drumbreaks) and jangly guitars captured in true mono style. The second half of the record lags in the energy department as the melodies strain for catchiness, but side A is certainly prime material. Played on 10/4/07.
Motion City Soundtrack - "Hello Helicopter"
Don't worry, you haven't missed much if you skipped by this one while glancing at Target's new release section. I happen to have a weakness for well-executed emo and this certainly fits the description. To my ears the enthusiasm is natural and not forced and the guitars are appropriately brawny without overloading the rest of the package. Credit Eli Janney of Girls Against Boys at the production board for hitting the right mix and the band for the relatively restrained execution. The closing song on 10/4/07.
Enon - "Sabina"
This is about as close as Enon has come to making a Brainiac record as John Schmersal seems to take up much more of center stage on this release. Vocally he's in front of the mike on over half of the tracks and his trademarked guitar squall is much more evident, sacrificing much of their pop charm and Toko Yasuda's plaintive vocals. This takes much more of a rock path and while LRC djs should be pleased I can't rank it up there amongst my favorite output by this band. Played on 10/4/07.
Kenna - "Sun Red Sky Blue"
Ethopian vocalist who has the luck of working with the Neptunes on his retro new-wave projects. His first record has a lofty place in my mind as a dance-pop classic, so I knew this one would start out at a comparative disadvantage. That prediction certainly has borne fruit, I can't find anything that matches the urgent addictiveness of the best cuts on his previous record. Still there are some fun songs present, including this one which was played on 10/11/07.
Dethklok - "The Lost Vikings"
I'm unfamiliar with the Adult Swim cartoon about this death metal band, but the disc is littered with well-written gems that parody the genre while providing musical backing that puts it near the top of the quality heap. This particular song about a band of marauding vikings who get lost on the way to a battle has some fantastic guitar work and could easily be mistaken for a serious effort if the lyrics aren't carefully studies. The closing song from 10/11/07.
She Wants Revenge - "She Will Always Be A Broken Girl"
They've improved on their sophomore release, even if it's only from embarrasing sub-Interpol knockoffs to passable Depeche Mode homages. Put it in the guilty pleasure column, the lyrics shallowly crave connections with depressed teens but hit the requirements set forth by "Blasphemous Rumours" so a passing grade will be assigned. Played a different song 10/11/07, because I have a friend in Joanie.
Tarentel - "Mirrors, Gardens"
As far as I can tell it's a CD release of a vinyl-only offering from a few years ago. Concert report music on 10/4/07. Lively experimental opuses mixed in with noise, the type that needs severe studio tweaking to accomplish and illegal stimulus aids to appreciate. Though truthfully I enjoyed it without any help, the compositions are impressive in their friendly unpredictability.
Susanna Wallumrød - "Born In The Desert"
Susanna steps away from the Magic Orchestra for a solo release that actually has much more clarity than the previous release. Her voice is upfront and the instruments distinct, instead of the previous wash of sonorous wallpaper. No change in the pace, it is still glacial but nowhere near as ominous. Played this during the A Distorted Reality fill-in on 10/10/07.
Robert Wyatt - "Just As You Are"
A new song cycle in three parts from Robert that expands from the personal to the political, I plucked this one from the early third. A duet of sorts as female vocal companion Monica Vasconcelos handles the first part of the tune with Robert's fragile vocals embellishing the second part. There's a litany of musical all-stars on this disc, from Paul Weller to Brian Eno to Phil Manzanera. None of them overwhelm the songs, which shamble along as an invitation to prospective listeners who enjoy layers of detail. Played on 10/11/07.
PJ Harvey -"Grow Grow Grow"
This is Polly's most sedate album since Is This Desire, and truthfully if her name wasn't on the cover it could be passed off as someone else's work. This one doesn't rely on much musical punch, favoring arrangements with an ebb and flow to their slow pace while Polly's seemingly disguised voice (has she ever floated this high in the register?) gasps across the expansive landscape. It's a change, can't say it's a favorable one though.
Picastro - "Car Sleep"
Toronto area combo farm similar land as Shannon Wright, with deep female vocals across loose arrangements placing drums forward and guitars in back, with strings adding the flavor. The songs often feel as if they are frayed at the edges, close to unraveling their structure yet somehow reaching a conclusion. This is one of the tighter efforts at a tidy 2+ minutes, played during that 10/10/07 fill-in.
Doveman - "Sunrise"
We're seemingly stuck in an introspective corner of our musical pallette, as this is another barely-there construction of strummed guitars and hushed vocals (male this time) with a few drums and horns punctuating the mix occasionally. Spun on 10/11/07. There are a mix of instrumental interludes between many of the songs to slow down the proceedings even more, so don't even attempt to scale this mountain unless the first sentence sounds remotely appetizing.
Chuck Prophet - "Would You Love Me"
Atmospheric country rock by former Green on Red member, released on Yep Roc. At times it reminds me of Lee Hazlewood in both his (lack of traditional) vocal prowess and ability to craft a setting and characters in song. Nice mix of guitars providing the backing with some other interesting elements such as choral backing vocals (perhaps sampled?) and harmonica. Spun during the 10/10/07 fill-in.
Richard Hawley - "Roll River Roll"
His last record in 2005 was my pick for the year, so it's correct to assume this new one was highly anticipated in my household. When early reviews dismissed it as 'more of the same' I was a bit puzzled, as that was certain my hope. And indeed the formula of smoothly deep Scott Walkerish vocals and sumptuous 60's style balladry is still well in play. However, this release doesn't wrap the listener into a velvet-encrusted version of time and place as his last one did, instead just efficiently aping his heroes. Still worthy of purchase and repeat listens, but I just can't smell the cigar smoke and taste the scotch on this release like I did with the previous one. Played on 10/4/07.
Ice Palace - "She Holds Hands"
This one pulls quite obviously from The National's playbook, with its simple guitar structure, gruff vocals and repeated chorus that adds a few more elements to the mix. It paints an inconclusive picture of the title character, providing just enough information to make you ask "what was that about again?" Musically it doesn't quite build that punch The National have and the faster songs struggle to find some musical character. But this particular selection was worthy of spinning of 10/4/07.
Phosphorescent - "The Waves At Night"
An on-the-border selection which made it to the airwaves 10/11/07. Contains the loping funeral gait of a mid-period Low song with vocals that drawl out every syllable in some sort of haunted chorus. Effective in its intentions though a whole album of this style can be tough to cut.
Band of Horses - "No One's Gonna Love You"
While airing this on 10/4/07 I was both repulsed and enthralled with it's accurate 1975 vibe. The flute-like keyboards really sell it, as well as the unabashedly positive romantic message that blots out any possibility of relationship failure. Of course this is a new century so post-chorus the negative elements do emerge (creepy stalker alert perhaps?). Should have been a top 10 hit 30+ years ago and a school slow dance staple.
Carol Bui - "Rockville"
A historical memory combined with a character study about a neighbor's Luka-like existence steps just over the earnest line. There's enough in this Come-like negative rocker to win my admiration but probably not enough to actually spin it OTA.
Sunset Rubdown - "Winger/Wicked Things"
Swan Lake still remains the pinnacle of Spencer Krug's musical output to my ears, while Frog Eyes is the nadir. That leaves this somewhere in the middle, with much more cohesive structure than his main band but nowhere near the emotional impact of the Dan Bejar pairing in the side project. The songs march along in a Flaming Lips alternate universive of keyboard cacophony and awkward vocal skills punctuated by occasional guitar solos. The calliope is burning down and this is the band playing in the background.
Bad Dream Fancy Dress - "Curry Crazy"
Nabbed this one from a disc Mark Robinson donated to the station during a music purge. Female duo with indiepop icon Simon Fisher Turner providing the backing, which has that energetic barely-together feel of garage indiepop of the era. Competency seems to be the main sticking point as the female leads are fairly incapable of adding a convincing vocal presence, yet do so through their naive efforts.
The Big Lie - "I'm Going To Ruin Her"
If you still miss the earnest power-pop vibes of early 90's Jellyfish here's an accurate reproduction for you, Canadian style. Has those drippy Zander-esque vocals with the Queen style backing in the chorus and vague psych-pop touches to an otherwise straight ahead rock effort complete with overt guitar solo. Played on 10/4/07.
The Resonars - "Places You Have Been"
The arrival of a new Resonars record is always reason for rejoicing, as they do the most accurate knock-off of Move & Byrds style 60's rock available today. This one doesn't disappont, as the sound regresses quite nicely back to their pinnacle release Bright And Dark with harmony backing vocals, strong drumming (oh those drumbreaks) and jangly guitars captured in true mono style. The second half of the record lags in the energy department as the melodies strain for catchiness, but side A is certainly prime material. Played on 10/4/07.
Motion City Soundtrack - "Hello Helicopter"
Don't worry, you haven't missed much if you skipped by this one while glancing at Target's new release section. I happen to have a weakness for well-executed emo and this certainly fits the description. To my ears the enthusiasm is natural and not forced and the guitars are appropriately brawny without overloading the rest of the package. Credit Eli Janney of Girls Against Boys at the production board for hitting the right mix and the band for the relatively restrained execution. The closing song on 10/4/07.
Enon - "Sabina"
This is about as close as Enon has come to making a Brainiac record as John Schmersal seems to take up much more of center stage on this release. Vocally he's in front of the mike on over half of the tracks and his trademarked guitar squall is much more evident, sacrificing much of their pop charm and Toko Yasuda's plaintive vocals. This takes much more of a rock path and while LRC djs should be pleased I can't rank it up there amongst my favorite output by this band. Played on 10/4/07.
Kenna - "Sun Red Sky Blue"
Ethopian vocalist who has the luck of working with the Neptunes on his retro new-wave projects. His first record has a lofty place in my mind as a dance-pop classic, so I knew this one would start out at a comparative disadvantage. That prediction certainly has borne fruit, I can't find anything that matches the urgent addictiveness of the best cuts on his previous record. Still there are some fun songs present, including this one which was played on 10/11/07.
Dethklok - "The Lost Vikings"
I'm unfamiliar with the Adult Swim cartoon about this death metal band, but the disc is littered with well-written gems that parody the genre while providing musical backing that puts it near the top of the quality heap. This particular song about a band of marauding vikings who get lost on the way to a battle has some fantastic guitar work and could easily be mistaken for a serious effort if the lyrics aren't carefully studies. The closing song from 10/11/07.
Thursday, October 11, 2007
This is the playlist for WMBR's Breakfast of Champions radio programme, originally aired October 11th 2007.
(8:00am - I prefer structure to chaos)
Evening Lights - "Starless"
The Lucksmiths - "The Golden Age of Aviation"
Spent - "Umbrella Wars"
(8:15am - entropy does have its charm)
King Cobb Steelie - "Slump"
Rein Sanction - "Creel"
Q4U - "Toys"
Marcus Schmickler - "Altars Of Science" (background music)
(8:30am - speaking of entropy, it's band of the week time)
The Residents - "Six Things To A Cycle Pt. 4"
The Residents - "Give It To Someone Else"
The Residents - "I'm Dreaming Of A White Sailor"
(8:45am - back to the disorder)
Kicking Giant - "White Babies"
Deborah Evans-Stickland/Richard X - "Walk On By"
Savage Republic - "Archetype"
(9:00am - we welcome the new music hour)
Kenna - "Sun Red Sky Blue"
She Wants Revenge - "Pretend The World Has Ended"
Sawako - "Far Away" (concert report music)
(9:20am - the endurance test is complete, you passed)
The Clientele - "Your Song"
Robert Wyatt - "Just As You Are"
Doveman - "Sunrise"
Phosphorescent - "The Waves At Night"
(9:40am - leaving the scene of the crime)
Robert Pollard - "Current Desperation (Angels Speak Of Nothing)"
Steve Goldberg and the Arch Enemies - "Julia"
Georgie James - "Comfortable Headphones"
Holy Fuck - "Lovely Allen"
(9:55am - let's provide Joanie with a rousing intro)
Dethklok - "The Lost Vikings"
Your attention is much appreciated, if you wish to revisit this show aurally you have two weeks to peruse WMBR's archives before it disappears.
(8:00am - I prefer structure to chaos)
Evening Lights - "Starless"
The Lucksmiths - "The Golden Age of Aviation"
Spent - "Umbrella Wars"
(8:15am - entropy does have its charm)
King Cobb Steelie - "Slump"
Rein Sanction - "Creel"
Q4U - "Toys"
Marcus Schmickler - "Altars Of Science" (background music)
(8:30am - speaking of entropy, it's band of the week time)
The Residents - "Six Things To A Cycle Pt. 4"
The Residents - "Give It To Someone Else"
The Residents - "I'm Dreaming Of A White Sailor"
(8:45am - back to the disorder)
Kicking Giant - "White Babies"
Deborah Evans-Stickland/Richard X - "Walk On By"
Savage Republic - "Archetype"
(9:00am - we welcome the new music hour)
Kenna - "Sun Red Sky Blue"
She Wants Revenge - "Pretend The World Has Ended"
Sawako - "Far Away" (concert report music)
(9:20am - the endurance test is complete, you passed)
The Clientele - "Your Song"
Robert Wyatt - "Just As You Are"
Doveman - "Sunrise"
Phosphorescent - "The Waves At Night"
(9:40am - leaving the scene of the crime)
Robert Pollard - "Current Desperation (Angels Speak Of Nothing)"
Steve Goldberg and the Arch Enemies - "Julia"
Georgie James - "Comfortable Headphones"
Holy Fuck - "Lovely Allen"
(9:55am - let's provide Joanie with a rousing intro)
Dethklok - "The Lost Vikings"
Your attention is much appreciated, if you wish to revisit this show aurally you have two weeks to peruse WMBR's archives before it disappears.
Saturday, October 06, 2007
Thought I'd get to this late September round-up last Sunday, instead it's been delayed to now with another early October disc (hopefully) close behind.
The Cells - "Drag It On"
Solid powerpop tune with excessive repetition of the chorus "and on and on and on and on and on." The album as a whole gets a bit Weezer-ish in its production but this one sublimates the whiny boy vocals enough to earn a spin on 9/27/07.
Axe Riverboy - "Carry On"
Xavier from Tahiti 80's solo side project is about as Sloan as you can get without actually being Canadian. If this was a Sloan album it would slot into the bottom 1/4 of their output, reasonably fun power pop songs with enough poptactular choruses and goofy guitar hooks to provide a diversion during the morning commute, but nothing overly sticky. Played on 10/4/07.
Rockfour - "No Worries"
Israeli pop band that fondly updates late 60's jangle pop with a few 70's touches, this one stands out for its ELO-ish chorus. Sure to find friends amongst the older dj demographic down at WMBR, of which we have more than a few. Nothing radically entertaining as Apples in Stereo but it doesn't sycophantically display its influences either. If you enjoy this sort of racket you will likely enjoy. Spun on 10/4/07.
Rogue Wave - "Lake Michigan"
Almost missed the new release from this NoCal combo as they sent it in a slim cardboard case, probably why it has effectively hidden in our new rack for the past few weeks. This release steps away from the rougher garage pop production of the previous record, instead opting for Matt Pond/Pernice Bros levels of lushness. Like their previous sound I found the songs fitfully interesting but probably won't spin anything beyond this one cut on 9/27/07.
The Blank Tapes - "We Can Still Be Friends"
Anytime an unknown band sends along a new release filled with 25+ songs it can be a bit intimidating. How's a dj supposed to suss out the gems? Luckily the pattern is pretty similar amongst tracks here, its Kinks style pop with equal parts jangle and emotion. Some slow, some fast, given the sheer number of songs it does get a bit samey after awhile. But if Davies & Co are your idols perhaps that will be just alright with you.
Robert Pollard - "Current Desperation (Angels Speak of Nothing)"
I can understand why some have given up on Robert Pollard as a viable source of new thrills, the sheer number of songs he's created during his various incarnations makes me wonder if there are any more gems to be found. On this double album one platter is rough garage band pop rock, the other tones down the amps and ladles more emotion in the lyrics. Couldn't really identify any home runs here, though admittedly my attention span waned after a few handfuls.
Old Time Relijun - "Veleno Mortale"
Our generation's greatest Van Vliet knockoffs are back with another release full of harsh stop/start jolts and jerky rhythms backing hoarse vocals. This particular song is in Italian and sprawls across 5+ minutes of manic tourette's style songcraft.
Signal To Trust - "The Herald"
My first spin identified this band as a reasonable attempt to capture Polvo's harsh vibe with a few less ruffled feathers. A second spin refutes that impression, as the hard stop tempo and metallic guitar I thought I heard aren't as apparent. Reasonable enough stuff that may fall between the LRC and BoC sweet spots.
Moving Units - "Paper Hearts"
I remember this group sounding much more punk on their previous efforts, then again when a band jumps labels to Metropolis there better be some overtures to the goth audience. Which means this new Moving Units lp is solidly in the post-Interpol camp, certainly better than that aforementioned band's previous two releases but not compelling enough to put it on the air (yet).
Charmparticles - "Gold Plated Shot"
Their previous album might have been the pinnacle for this pleasant early 90's shoegazer pop influenced band. The female leads are much clearer amongst the clouds of glossy guitar pop and given their relative strength (or lack thereof) I can't say it's a decision I support. Perhaps it's just a little too reminiscent of the type of major-label knockoff shoegaze that dotted the landscape of the early 90's, either way my neurons aren't firing like they were for the previous release.
Brazzaville - "Jesse James"
On the other side of the coin, here's a band I've casually dismissed in the past which now offers a new set of tunes which cross my wires. These are still light pop songs with a vague world influence, perhaps the extra space in the arrangements is aligning better with my tastes. This song takes a Smiths-like lyrical tone, offering details and emotions without revealing too much of the plot. He wants to die like Jesse James, I prefer Doc Holliday's fate myself. Played on 10/4/07.
Damon and Naomi - "Stars Never Fade"
The duo split vocal duties on this new record while Michio Kurihara provides the Wayne-style guitar freakouts and Bhob Rainey the special sauce that makes it so breathtaking. My preference is for the Naomi tracks as she works comfortably within her limited vocal range, moaning and groaning sentiments that can only be construed as quite sad (sans lyrical interpretation), Played on 9/27/07.
Morning Recordings - "We Loved The City Years"
Chicago band that wears the lineage very well. While they're Codiene slow they're not Codiene harsh, the Coctails minus the jazz spirit would be a better characterization. Sparse yet effective songs that stretch out and wait, if you prefer the downtempo vibe there are some delicacies worth sampling on this disc. Played the song on 9/27/07.
Cass McCombs - "Morning Shadows"
Latest Domino release from Cass promises a higher profile for this delicate singer and player. Usually I have no trouble finding the hit(s) on Cass's records but this one proved a bit more difficult as the tone has shifted more towards acoustic numbers with minor tempo changes. While certainly nice I couldn't find anything particularly bracing or enchanting, and chose this tune on 10/4/07.
Iron and Wine - "Boy With a Coin"
Well, the Simon & Garfunkel period of this band seems like it's over and done. Don't confuse that with a drop in quality though, as this infectious handclap driven selection definitely retains an Iron and Wine feel wrapped in restrained enthusiasm. The quotient of simple plucked guitar and harmony vocals songs is way down, but I'm more than fine with that decision as the production balances all elements quite nicely, uniting both the folk and pop lovers of the world. Played this on 10/4/07.
Alberta Cross - "Lucy Rider"
Woe is the fate of Alberta Cross, who are from London not the western provinces as you might expect. They're signed to Fiction which currently employs hitmakers like Snow Patrol and the Maccabees, certainly you'd think the label is looking for more commercial bounty. However this release is not very glossy, in fact it wouldn't sound out of place on a nondescript US regional independent label with its indy rock vibe of verse-memorable chorus-verse and off-key vocals. Hope they survive the ride!
Bevel - "Since The World"
Side project from a member of Drunk and Manischevitz that proudly displays why the lead singer doesn't pull those duties in his other bands. Still, he does carry an awkward David Sylvian vibe sans the smooth release behind some clever guitar work. If you can handle the odd vocals there's plenty to enjoy on this new Contraphonic release. Played on 10/4/07.
Steve Goldberg and the Arch Enemies - "Julia"
Just haven't been able to find time for this twee-pop nerd love song, which mentions D&D amongst the proposed activities our heroic singer offers the object of his affection. Cute, with all the positive and negative connatations of that word in effect.
Jens Lekman - "The Opposite of Hallelujah"
Still trying to suss out why the full-lengths provided by Jens just don't thrill me as much as the ep's. Perhaps it is just a matter of focus, when given a consideration set of four songs it's much easier to find the lyrical gem. If more time is all I need to unearth the "Maple Leaves" on this new one then it's time worth spending. As it is I played this song about his sister on 10/4/07, I think Evan of A Distorted Reality made a better song choice the day before.
The Pipettes - "Baby, Just Be Yourself"
Grabbed one of the two tracks on the (finally!) US release of their debut, since I (and probably you) already have the import version. It was a top 10 album for me last year and my opinion has not wavered, I adore this girl group trio who take 60's pop tropes and update the subject matter for current day mores. Played one of the other tracks leadoff on 10/4/07.
Fire Engines - "Hungry Beat"
Title track of the reissue from Acute. One of those "thank you for finally making this available again" moments.
The Cells - "Drag It On"
Solid powerpop tune with excessive repetition of the chorus "and on and on and on and on and on." The album as a whole gets a bit Weezer-ish in its production but this one sublimates the whiny boy vocals enough to earn a spin on 9/27/07.
Axe Riverboy - "Carry On"
Xavier from Tahiti 80's solo side project is about as Sloan as you can get without actually being Canadian. If this was a Sloan album it would slot into the bottom 1/4 of their output, reasonably fun power pop songs with enough poptactular choruses and goofy guitar hooks to provide a diversion during the morning commute, but nothing overly sticky. Played on 10/4/07.
Rockfour - "No Worries"
Israeli pop band that fondly updates late 60's jangle pop with a few 70's touches, this one stands out for its ELO-ish chorus. Sure to find friends amongst the older dj demographic down at WMBR, of which we have more than a few. Nothing radically entertaining as Apples in Stereo but it doesn't sycophantically display its influences either. If you enjoy this sort of racket you will likely enjoy. Spun on 10/4/07.
Rogue Wave - "Lake Michigan"
Almost missed the new release from this NoCal combo as they sent it in a slim cardboard case, probably why it has effectively hidden in our new rack for the past few weeks. This release steps away from the rougher garage pop production of the previous record, instead opting for Matt Pond/Pernice Bros levels of lushness. Like their previous sound I found the songs fitfully interesting but probably won't spin anything beyond this one cut on 9/27/07.
The Blank Tapes - "We Can Still Be Friends"
Anytime an unknown band sends along a new release filled with 25+ songs it can be a bit intimidating. How's a dj supposed to suss out the gems? Luckily the pattern is pretty similar amongst tracks here, its Kinks style pop with equal parts jangle and emotion. Some slow, some fast, given the sheer number of songs it does get a bit samey after awhile. But if Davies & Co are your idols perhaps that will be just alright with you.
Robert Pollard - "Current Desperation (Angels Speak of Nothing)"
I can understand why some have given up on Robert Pollard as a viable source of new thrills, the sheer number of songs he's created during his various incarnations makes me wonder if there are any more gems to be found. On this double album one platter is rough garage band pop rock, the other tones down the amps and ladles more emotion in the lyrics. Couldn't really identify any home runs here, though admittedly my attention span waned after a few handfuls.
Old Time Relijun - "Veleno Mortale"
Our generation's greatest Van Vliet knockoffs are back with another release full of harsh stop/start jolts and jerky rhythms backing hoarse vocals. This particular song is in Italian and sprawls across 5+ minutes of manic tourette's style songcraft.
Signal To Trust - "The Herald"
My first spin identified this band as a reasonable attempt to capture Polvo's harsh vibe with a few less ruffled feathers. A second spin refutes that impression, as the hard stop tempo and metallic guitar I thought I heard aren't as apparent. Reasonable enough stuff that may fall between the LRC and BoC sweet spots.
Moving Units - "Paper Hearts"
I remember this group sounding much more punk on their previous efforts, then again when a band jumps labels to Metropolis there better be some overtures to the goth audience. Which means this new Moving Units lp is solidly in the post-Interpol camp, certainly better than that aforementioned band's previous two releases but not compelling enough to put it on the air (yet).
Charmparticles - "Gold Plated Shot"
Their previous album might have been the pinnacle for this pleasant early 90's shoegazer pop influenced band. The female leads are much clearer amongst the clouds of glossy guitar pop and given their relative strength (or lack thereof) I can't say it's a decision I support. Perhaps it's just a little too reminiscent of the type of major-label knockoff shoegaze that dotted the landscape of the early 90's, either way my neurons aren't firing like they were for the previous release.
Brazzaville - "Jesse James"
On the other side of the coin, here's a band I've casually dismissed in the past which now offers a new set of tunes which cross my wires. These are still light pop songs with a vague world influence, perhaps the extra space in the arrangements is aligning better with my tastes. This song takes a Smiths-like lyrical tone, offering details and emotions without revealing too much of the plot. He wants to die like Jesse James, I prefer Doc Holliday's fate myself. Played on 10/4/07.
Damon and Naomi - "Stars Never Fade"
The duo split vocal duties on this new record while Michio Kurihara provides the Wayne-style guitar freakouts and Bhob Rainey the special sauce that makes it so breathtaking. My preference is for the Naomi tracks as she works comfortably within her limited vocal range, moaning and groaning sentiments that can only be construed as quite sad (sans lyrical interpretation), Played on 9/27/07.
Morning Recordings - "We Loved The City Years"
Chicago band that wears the lineage very well. While they're Codiene slow they're not Codiene harsh, the Coctails minus the jazz spirit would be a better characterization. Sparse yet effective songs that stretch out and wait, if you prefer the downtempo vibe there are some delicacies worth sampling on this disc. Played the song on 9/27/07.
Cass McCombs - "Morning Shadows"
Latest Domino release from Cass promises a higher profile for this delicate singer and player. Usually I have no trouble finding the hit(s) on Cass's records but this one proved a bit more difficult as the tone has shifted more towards acoustic numbers with minor tempo changes. While certainly nice I couldn't find anything particularly bracing or enchanting, and chose this tune on 10/4/07.
Iron and Wine - "Boy With a Coin"
Well, the Simon & Garfunkel period of this band seems like it's over and done. Don't confuse that with a drop in quality though, as this infectious handclap driven selection definitely retains an Iron and Wine feel wrapped in restrained enthusiasm. The quotient of simple plucked guitar and harmony vocals songs is way down, but I'm more than fine with that decision as the production balances all elements quite nicely, uniting both the folk and pop lovers of the world. Played this on 10/4/07.
Alberta Cross - "Lucy Rider"
Woe is the fate of Alberta Cross, who are from London not the western provinces as you might expect. They're signed to Fiction which currently employs hitmakers like Snow Patrol and the Maccabees, certainly you'd think the label is looking for more commercial bounty. However this release is not very glossy, in fact it wouldn't sound out of place on a nondescript US regional independent label with its indy rock vibe of verse-memorable chorus-verse and off-key vocals. Hope they survive the ride!
Bevel - "Since The World"
Side project from a member of Drunk and Manischevitz that proudly displays why the lead singer doesn't pull those duties in his other bands. Still, he does carry an awkward David Sylvian vibe sans the smooth release behind some clever guitar work. If you can handle the odd vocals there's plenty to enjoy on this new Contraphonic release. Played on 10/4/07.
Steve Goldberg and the Arch Enemies - "Julia"
Just haven't been able to find time for this twee-pop nerd love song, which mentions D&D amongst the proposed activities our heroic singer offers the object of his affection. Cute, with all the positive and negative connatations of that word in effect.
Jens Lekman - "The Opposite of Hallelujah"
Still trying to suss out why the full-lengths provided by Jens just don't thrill me as much as the ep's. Perhaps it is just a matter of focus, when given a consideration set of four songs it's much easier to find the lyrical gem. If more time is all I need to unearth the "Maple Leaves" on this new one then it's time worth spending. As it is I played this song about his sister on 10/4/07, I think Evan of A Distorted Reality made a better song choice the day before.
The Pipettes - "Baby, Just Be Yourself"
Grabbed one of the two tracks on the (finally!) US release of their debut, since I (and probably you) already have the import version. It was a top 10 album for me last year and my opinion has not wavered, I adore this girl group trio who take 60's pop tropes and update the subject matter for current day mores. Played one of the other tracks leadoff on 10/4/07.
Fire Engines - "Hungry Beat"
Title track of the reissue from Acute. One of those "thank you for finally making this available again" moments.
Thursday, October 04, 2007
Another Thursday Breakfast of Champions, another playlist for WMBR's morning show circa October 4, 2007.
(8:00am - the new music hour is annexing the first part of the show!)
The Pipettes - "Sex"
Firefox AK - "All Those People"
Siouxsie - "Drone Zone"
Brazzaville - "Jesse James"
Najda - "I Have Tasted The Fire Inside Your Mouth" (background music)
(8:15am - my apologies to those who prefer the moldy oldies)
Jens Lekman - "The Opposite of Hallelujah"
Enon - "Sabina"
The Resonars - "Places You Have Been"
(8:30am - band of the week time, folks)
Mouse on Mars - "1001"
Mouse on Mars - "Rerelease Hysteresis"
Von Sudenfed - "Fledermaus Can't Get It"
(8:45am - trudging through the new music)
Richard Hawley - "Roll River Roll"
Ice Palace - "She Holds Hands"
Bevel - "Since The World"
(9:00am - the traditional start of the new music hour)
Iron and Wine - "Boy With A Coin"
Band of Horses - "No One's Gonna Love You"
Tarentel - "Mirrors, Gardens" (concert report music)
(9:20am - the traditional post-concert report swoooon)
Two Gallants - "The Deader"
Sea Wolf - "The Cold, The Dark & the Silence"
Rockfour - "No Worries"
Cass McCombs - "Pregnant Pause"
(9:40am - a last minute attempt to salvage the program)
The Big Lie - "I'm Going To Ruin Her"
Axe Riverboy - "Carry On"
Shocking Pinks - "Emily"
Stars - "The Ghost of Genova Heights"
(9:55am - the big closer showstopper)
Motion City Soundtrack - "Hello Helicopter"
Appreciate your perusal, if you'd like to listen to this program go to WMBR's archives within two weeks of the original broadcast date.
(8:00am - the new music hour is annexing the first part of the show!)
The Pipettes - "Sex"
Firefox AK - "All Those People"
Siouxsie - "Drone Zone"
Brazzaville - "Jesse James"
Najda - "I Have Tasted The Fire Inside Your Mouth" (background music)
(8:15am - my apologies to those who prefer the moldy oldies)
Jens Lekman - "The Opposite of Hallelujah"
Enon - "Sabina"
The Resonars - "Places You Have Been"
(8:30am - band of the week time, folks)
Mouse on Mars - "1001"
Mouse on Mars - "Rerelease Hysteresis"
Von Sudenfed - "Fledermaus Can't Get It"
(8:45am - trudging through the new music)
Richard Hawley - "Roll River Roll"
Ice Palace - "She Holds Hands"
Bevel - "Since The World"
(9:00am - the traditional start of the new music hour)
Iron and Wine - "Boy With A Coin"
Band of Horses - "No One's Gonna Love You"
Tarentel - "Mirrors, Gardens" (concert report music)
(9:20am - the traditional post-concert report swoooon)
Two Gallants - "The Deader"
Sea Wolf - "The Cold, The Dark & the Silence"
Rockfour - "No Worries"
Cass McCombs - "Pregnant Pause"
(9:40am - a last minute attempt to salvage the program)
The Big Lie - "I'm Going To Ruin Her"
Axe Riverboy - "Carry On"
Shocking Pinks - "Emily"
Stars - "The Ghost of Genova Heights"
(9:55am - the big closer showstopper)
Motion City Soundtrack - "Hello Helicopter"
Appreciate your perusal, if you'd like to listen to this program go to WMBR's archives within two weeks of the original broadcast date.
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